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Sooudi, O. K. (2023). From Mumbai to London: Co-constituting value in art from India via local and global circuits of valuation. In O. Salemink, A. Siegel Corrêa, J. Sejrup, & V. Nielsen (Eds.), Global art in local artworlds: Changing Hierarchies of Value (pp. 193-217). (Materializing Culture). Routledge. Advance online publication. https://doi.org/10.4324/9781003128908-20[details]
Sooudi, O. K. (2022). Neoliberalism and sustainability in the art ecosystem. In S. Patel, D. Parthasarathy, & G. Jose (Eds.), Mumbai/Bombay: Neoliberal Majoritarianism, Informality, Resistance and Wellbeing Routledge, Taylor & Francis Group.
Sooudi, O. K. (2015). Morality and exchange in the Mumbai contemporary art world. In O. Velthuis, & S. Baia Curioni (Eds.), Cosmopolitan canvases: the globalization of markets for contemporary art (pp. 264-284). Oxford University Press. https://doi.org/10.1093/acprof:oso/9780198717744.003.0012[details]
Sooudi, O. K. (2012). Art patron as 'taste scapegoat'? Complicity and disavowal in Mumbai's contemporary art world. Etnofoor, 24(2), 123-143. [details]
Sooudi, O. K. (2010). Connoisseurs of urban life: aesthetic practices and the everyday among Japanese migrants in New York City. In R. G. Davis, D. Fischer-Nornung, & J. C. Kardux (Eds.), Aesthetic practices and politics in media, music, and art: performing migration (pp. 212-226). (Routledge research in cultural and media studies; No. 26). New York: Routledge. [details]
2022
Sooudi, O. K. (2022). Collectors as patrons. Seminar - The Monthly Symposium, (753).
Sooudi, O. (2018). The New Infrastructure for Art and the Rise of Neoliberal Economies in the Gulf: Auction Houses, Galleries, Fairs and the Art Market in the Middle East and Beyond. In S. Mikdadi, & N. Shabout (Eds.), The Global Circulation of Art and the New Markets: Abu Dhabi Art Talks 2018 (pp. 36-39). Department of Culture and Tourism, for Abu Dhabi Art. https://www.abudhabiart.ae/en/programme/talks/2018.talks/talks.booklet.aspx[details]
Sooudi, O. K. (2017). Remaking Japan through Transnational Encounters, Difference, and Struggles for Social Equality: [Review of: J.D. Hankins (2014) Working skin : making leather, making a multicultural Japan; I.-A. Laemmerhirt (2013) Embracing differences : transnational cultural flows between Japan and the United States; D.J. Milly (2014) New policies for new residents : immigrants, advocacy, and governance in Japan and beyond; K. Tsuchiya (2014) Reinventing citizenship : Black Los Angeles, Korean Kawasaki, and community participation]. The Journal of Asian Studies, 76(3), 802-812. https://doi.org/10.1017/S0021911817000651[details]
Sooudi, O. K. (2019). Review of: Joanna Grabski (2017) Art World City: The Creative Economy of Artists and Urban Life in Dakar. City & Society. Advance online publication. https://doi.org/10.1111/ciso.12220
2018
Sooudi, O. K. (Author). (2018). Olga Sooudi, anthropologist at the University of Amsterdam, and the author of Japanese New York: Migrant Artists and Self-Reinvention on the World Stage, on the Noguchi Museum in Long Island City (Podcast). Web publication or website, The Gotham Center for New York City History. https://www.gothamcenter.org/ohny-podcasts.html
Sooudi, O. (2020-2023). Member of Academic Committee, International Institute for Asian Studies, Leiden.
Sooudi, O. (2016-2020). Member of Academic Committee, International Institute for Asian Studies, Leiden.
Talk / presentation
Sooudi, O. (speaker) (14-11-2018). Navigating the system: how artists relate to galleries and alternative art spaces in Mumbai, Abu Dhabi Art Talks, Abu Dhabi Art .
Others
Nooteboom, G. (organiser), Sooudi, O. K. (organiser) & Baas, M. (participant) (12-6-2018 - 13-6-2018). Movement as Interregnum: People, Technologies, Goods, and Ideas, Singapore (organising a conference, workshop, ...).
Sooudi, O. (participant) (2018 - 2019). Judge for ICAS Book Prize, Social Sciences Reading Committee, ICAS (other).
2017
Lertchavalitsakul, B. (2017). Living with four polities: States and cross-border flows in the Myanmar-Thailand borderland. [Thesis, fully internal, Universiteit van Amsterdam]. [details]
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